Now, wouldn't that make a fine holiday gift for your loved ones? :)
Only $19.95. What a bargain!

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| ILLUSTRATION |
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| COMIC BOOK SEQUENTIAL ART |
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| COMIC BOOK COVERS, PIN-UPS AND ADS |
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| CHARACTER DESIGNS AND SKETCHES |
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| COMIC BOOK COLORING |







Part Three: AV Squad
(click here to read chapter two, or here for chapter one)
While preparing for the Marvel Reunion / Mark Gruenwald Tribute, many of us dug through our old photographs and videos from the era. D.G. Chichester (my former boss at Epic) was compiling a photo slideshow to run on the venue’s TV Monitors for the first two hours of the evening. At 9:00 PM, Mike Carlin’s Tribute would begin, and at 10:00, we planned to show some of our videos.
I’m sure that each of us that contributed to the slideshow had fun looking through our old albums, marveling at how young we all were, cringing at those late 80s fashions! Who had the best mullet? Hard to say...



I had some choice shots taken at the Holiday Party from January 1991, when a few of us decided it would be “cool” to rent cheap tuxedos. Marie wore her trademarked spiral dress, an old favorite...

And then there were some of my pics from the video I shot in 1989. It was called The Freelancer...
The Freelancer was one of the videos scheduled to be shown during the last hour of the Reunion. The others were Marie Javins’ A Day in the Life of the Assistant Editor and the hilarious Marvel Mania skit that was performed at a New York Comic Convention called Tuff Talk. The Freelancer was, in some ways, a follow up to Marie’s “Assistant” story that we made the year before. It is a comedic story of a freelance comic book letterer, played by freelance comic book letterer, Mike Heisler. In the story, he gets into trouble with his landlord (Played by Don Hudson), his editor (Dan Chichester), Marvel’s Editor-in-Chief (Tom DeFalco), his car is repossessed (by Marc Siry), and he breaks down in a Vietnam Flashback before going out and getting completely trashed in a dozen bars. The video also features David Wohl, Mark Gruenwald, Bob Harras and a bunch of other Marvel bullpenners.
It was an incredibly stupid, offensive...and hilarious story, clocking in at 34 minutes long. Since this is the 20th anniversary of The Freelancer, I set upon the task of creating a newly edited, digital version with all-new special effects (it was originally shot on VHS). I started working on the new “directors cut” early this year, but the screening at the Reunion gave me an actual deadline to finish it by.
The Freelancer may have been a bunch of stupid in-jokes and sophomoric humor, but 20 years later, it is also an amazing time-capsule, showing Marvel Comics as it has not existed in a long time. All the videos we assembled had that in common. It’s an interesting quality about video that is different from still photography. When you watch old video (or film) you can hear people’s voices and see how they moved, and you move about in space to see details that might be cropped from a photo. It brings you back into a moment and sparks your memories in a unique way. I notice the same thing when I watch video of my son as a toddler--his little walk, the way he pronounced “tractor,” that wonderful sweater we bought in Paris... For this reason alone, reediting The Freelancer is a worthy project. Sifting through the raw footage took me back, and mentally prepared me for seeing all my old colleagues. And...it was fun.
To be continued!
Part Two: Party Planning
(click here to read chapter one)
One detail I forgot to mention in my first post, was that I not only attended the Marvel Reunion on June 6th, but I was also the principal organizer of the event.
The idea of a reunion wasn’t my idea, but it was one that I instantly responded to when I heard about it. I’m not sure how long people had been tossing around ideas for a reunion, but I first heard about it around February of this year. There were mentions of it on Facebook groups like “Friends of Old Marvel,” in December 2008. At some point, I saw a link to a post on Bob Camp’s blog, where he basically put out the call to see who was interested.
Early on, this idea became tied with another; friends of Mark Gruenwald (like Eliot Brown) expressed a desire to organize a tribute in Mark’s honor. As dates and possible venues started to be discussed on Facebook, and Bob Camp’s blog, it became clear that it would be a combined Marvel Reunion / Mark Gruenwald Tribute. Many of us who were following the threads became very excited by the idea.
There was a problem, though. While many people expressed opinions, there wasn’t anybody volunteering to take charge, make decisions and force the concept into reality. Dates and venues would be suggested, but not decided on. April seemed like a possibility, but it came and nothing concrete was happening. Personally, I was becoming frustrated, and at first I wasn’t sure why.
It goes back to what I said in my first post; this would be my college reunion! I wanted my college reunion!!!
So, after discussing it with my wife, on April 13th I sent a proposal out to the groups discussing the reunion / tribute. I offered to help shepherd the planning process and set up a dedicated group to facilitate action. It seemed silly, in a way. Here I was, 3000 miles away from New York, and not half as well connected as the other people involved. What could I do? Well, at least I could set up the Facebook group to discuss things.
At first, I thought I’d just get the ball rolling and that someone on the East Coast would take over. However, it soon became clear that I would have to head the project--if only to guide and focus the discussions so that actual decisions could be made. The first order of business, after organizing an administrative body of about 16 volunteers, was to pick a date. June 6th was chosen, coincidentally coinciding with the MoCCA show. We thought the timing might work in our favor, if some people were coming in to the city anyway for that event (unfortunately, it also created some conflicts with some Marvel Alumni that had MoCCA obligations).
There were many bumps in the road, as we raced to plan the huge event, but finally a venue was chosen, a price agreed upon, and we sketched out a basic plan for the night’s programming. On April 24th, our group started to send out formal invitations by email, a mere 6 weeks before the big date. This in itself was a difficult task. In the week or so prior, we collected a list of people who were interested using Facebook as well as our personal address books, spreading the word as best we could. We chose the venue based on a rough estimate of how many people committed to come, as well as by price. I’m sure there were several people who were never found and invited, but I think we did a great job, considering.
Deciding who to invite was another issue. Since this was to be a Tribute to Mark Gruenwald, the Marvel era of the 1980s and early 90s was chosen: The “Gru Era.” This meant a lot of overlap of different groups of employees and freelancers, including a handful who still work at Marvel today (and a bunch of people who currently work at DC!). There was potential for conflicts and bad blood, but we put out the call, awaited RSVPs, and hoped for the best. In the end, five weeks later, I had collected admission for 152 people. Not too shabby...
To be Continued
(click here for chapter three!)









